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The Street By Mark Jacobs
“I’m
so glad, I’m so glad, I’m glad, I’m glad, I’m glad… I’m so
glad, I’m so glad, I’m glad, I’m glad, I’m glad…..” That’s
the stuck-record chant of Cream in the inner distance while I stroll down Hey,
Tim isn’t at his post! Beside a stop sign where Haight intersects Scott,
a water department hole is straddled by a sawhorse, and my roommate sits
on it selling underground newspapers to the stopped tourists. The whole of
It
may be slight and subtle, but when you turn from a side street onto For
the next eleven blocks, the length of Haight Street up to Golden Gate
Park, I’ll be walking west beside a wall of idling cars, interrupted
only at intersections, with windows up and doors locked, full of faces at
an aquarium, but aghast, tittering, grim, insulted, threatened, curious,
ready. At Divisadero, waiting for the light to change, I look to my right
and see I’m on display for a family in a station wagon. With two kids
gawking behind her, the wife smirks at me and says something to the
husband who turns away from a braless chick on the other side of the
intersection and looks at me. Should I flip ‘em off? Or maybe wag my
cock at ‘em?! Who was it
told me about a cat that ran along side a tour bus holding up a big
mirror? The
station wagon has to sit through a green light while I cross.
…I’m so glad, I’m so glad, I’m… The climb to Where
I
cross to the other side of Foot
traffic thickens the nearer I get to I
cross Masonic. Lanky and nineteen, I walk with a stork-hunch, hands in
jeans. When I reach the
sidewalk, I turn left. Traffic isn’t moving so I cross against the light
back to the south side of I
cross Ashbury, which I know is It’s
rare at this time that joints are smoked openly on the Street, but I catch
whiffs from the clothes of those just arriving from their pads.
Along my left, freaks mutter as I pass, “Hash, acid, grass…
speed, hash, grass…spare change…grass, acid, hash…..” This is an
unpleasant new development. Christ! If ya hafta advertise… Obviously an
inferior grade of dealer.
What
the …! That chick…! You can see right through her shirt! Wonder if …
of course she knows! A chick
with swollen breasts stunningly visible through a gauzy blue blouse
emerges in front of me from an apartment building, checks to see if she is
noticed, is overwhelmed by how much, then retreats back into the building.
The
greasy aroma of a “Love Burger” reaches me. Across the street, beside
the Print Mint, a cocktail lounge has cut a hole in the wall beside the
sidewalk and installed a grill. A plump, middle-aged, straight lady cooks
“Love Burgers” on it, and right now she is expounding, spatula in
hand, on what was thrown off Anything
is possible here, from the most deep-seated, improbable, foolish hopes to
murder. As I’m about to cross Clayton, I can’t resist a glance at the
concrete at the base of the fire hydrant immediately to my left. Still
there. When is it gonna wear away? It’s the blood stain from a murder I
witnessed on a hot sultry night in the spring. A young black man squatted
on the hydrant as an extremely out-of-place chick, a redneck runaway,
plunged a knife into his heart, yelling, “I’m tired of you niggers
buggin’ me!” She then fled, later turning herself in at a church.
Can’t walk by without looking. Another personal checkpoint. Crossing
Clayton distracted, head down, I almost bump into Peter, a friend from “Hey,
man.” “Hey,
man.” He
smiles, granny glasses glinting from a black thatch of bangs and beard. I
speak first. “Wha’s happenin’?” “Not
much. You know Benny?” I
look down first onto the part in the middle of his shoulder-length brown
hair then at the smile of the short cat beside Peter. “Oh
yeah, hi,” I say. “We met over at Illy’s up on “Yeah.
Hi.” “We’re
goin’ to my pad to smoke some of Benny’s Nepalese hash. Wanna come?” I’m
flustered, as if someone barged into my room during a private act, in this
case brooding. “Uh…
I took some Owsley acid and I’m walking to the park… waiting for it to
come on… Uh… I dunno… Nepalese hash sounds outasight but… I better
not…”
“O.K.
man,” Peter says. “That’s groovy.”
What’s
he really thinking? Is he offended? I
say, “I don’t want to dilute the effect of the acid…”
“I
can dig it,” he says and starts walking again. Yeah,
he’s offended. Or is he? “See
ya later,” I offer tentatively. “Yeah,”
Peter replies. Benny
smiles up at me and they disappear into the crowd. I
recently took a devastating meth overdose, the worst experience of my
life, beyond previous imagining. And I was already damaged from growing up
as an irritating foreign object lodged in a redneck Sierra mill town. Now
I’m ambushed daily by episodes of drug psychosis with paralyzing
paranoia. Continuing west, replaying and analyzing the encounter with
Peter, I’m soon in a spiraling nosedive of introspection… Hash sounded
nice, but… Can’t get trapped in a social situation… Can’t tell
when it’ll strike … Don’t want him to think I don’t like him…
Maybe I should tell him what’s happening inside me… But….. I
cross the half-block to Belvedere and then the half-block to Cole before
I’m yanked out of myself. Across A
few yards further, on the south side, a mountainous biker wearing a thick
fatigue jacket in the hot sunlight stands on the sidewalk beside a pickup
with a camper. He’s teasing a couple of teenyboppers who probably snuck
here against parents’ orders. “Oh
yeah?” the biker says. “Let’s see …” He
starts unbuttoning the blouse of a pert, freckled blonde beaming
ingenuousness. She looks at her girlfriend and giggles and blushes. He
spreads open her blouse. “Hey…
hey… c’mere,” he says to a biker friend nearby.
“Look at these.” ”Outa
sight baby, yer really stacked,” the friend says of two pink-tipped
mounds. The
girl’s blush darkens and she turns her head to the side. The biker
closes her blouse and kids her some more, then leads her by the hand to
the back of the pick up. She exchanges a look with her girlfriend that
says, I guess this is what you’re supposed to do on I’m
across Schrader and almost to the bowling alley when my stomach growls, as
if noticing the supermarket across the street before I do. Shit, that’s
right! I haven’t eaten yet. I jaywalk through stalled traffic to the
north side of Haight. Ooooooooooooo…. that’s nice. The acid flutters
my nerves. Entering the supermarket, I see in the glass door my giddy
stoned grin, all-pupil eyes, and hair aflame from the wind. Looks like
I’m holding onto sixty thousand watts. Then the door swings open onto a
startled middle-aged straight woman. The
muzak! Sounds like there’s an orchestra in the cheese section. In the
fruit section, I put some nectarines in a brown paper bag, then
grab-in-passing a pint of milk. On the way to the check out stand, I
become absorbed in a show tune on the muzak and visualize vast,
petticoated chorus lines leaping and whirling.
At the end of an aisle, I suddenly stop and look around.
Jesus! Was I dancing or just imagining it?
A burly checkout clerk eyes me warily.
I smile at the idea of a freak dancing down a supermarket aisle,
then I start to laugh, and keep laughing harder and harder, and just on
the verge of blast off, catch myself.
Cool it man! The
checkout line brings me down. Chilling sterility, assembly line
efficiency, telepathic ads, massaging muzak. If they could only eat it and
shit it for ya…now that would be service. It’s my turn. I struggle
with a jeans pocket while the clerk rings up the items. He has a flattop
crewcut, and on the sides and back, a long greased d.a. (duck’s ass).
His face is locked in a sneer. With
his buddies outside the store, he’s an authority on what’s really
going-on in the Haight-Ashbury District. I give him some silver disks and
he puts them in a drawer with rectangular green paper. Now to get back to
the real world… The
wind laves my face and I close my eyes to ride the pulsation of conga
drums in the park. I’m waiting for a light-change at “Hey,
man, can I have a bite of your peach?” It’s
a psychedelic derelict complete with dirt-encrusted bare feet, soiled
clothes hanging like Spanish moss, and the long, tangled, matted hair and
beard of a saddhu (Hindu holyman). Excellent specimen. He’s holding out
a hand. “It’s
a nectarine,” I say. “Here, you can have the whole thing.” “Thanks!” The
light changes and pedestrians fill all the crosswalks preventing cars from
moving. In the empty intersection, heat undulates above the asphalt like
an invisible wheat field. As I enter the park, a half dozen shirtless
spades on a bench to my right are giving their own free concert in the
park with conga drums, bongos, beer cans, and wine bottles. Walking down a
sloping lawn between groups of prone sunbathing freaks, I see Ashley
Brilliant, in yarmulke and beard, at the foot of the slope, lecturing
through a bullhorn on world peace or something. Heard it before, whatever
it is. In the small cement pond at the base of the slope, in a common
spontaneous gesture of community spirit, several chicks with pant legs
rolled are picking up debris in the gray opaque water and piling it on the
side. I’m
light and transparent as a dandelion seed ball as I move through the
tunnel under I
go right, to Hippy Hill which I see at the end of the path.
On both sides of the path are people on the grass laughing,
cuddling, reading, in yoga positions, playing guitars and flutes. Overhead
seagulls and pigeons wheel and swoop. A short, goblet-shaped tree with
freaks perched in its flat top passes on the right. And now, just ahead,
on benches at the base of the hill, are a dozen pounding congas with
orbiting freaks of all sexes who shimmy and pose and whirl. A
ways up Hippie Hill, I drop onto a clearing of unpeopled grass. Farther up
still is a cluster of twenty or thirty freaks. A Marlboro cigarette carton
full of grass is going the rounds. The mammoth joint is grabbed, collapsed
by a Herculean toke that instills instant stupor, and then grabbed again.
That’s clever. Like the squirt gun full of liquid acid. I drink the sea
breeze and listen to nearby conversations. “…No
man, I’m not an ice cream man anymore. I got fired. I went to work on
mescaline and I was drivin’ around wearin’ the uniform and the music
was tinklin’ and I was high and the kids were runnin’ out …. I said,
shit man, I can’t take money from these people. So I gave all the ice
cream away. The boss couldn’t dig that at all…” “Hey,
what the…?!” I exclaim. A
small boy is suddenly climbing all over me as if I were a tree. He drapes
himself over my shoulder, hangs from my neck, slithers across my lap, and
crawls under the stiffened arms I lean back on. There’s something
strange about ‘im… He has the strength of a ten-year-old compressed
into the body of a four-year-old. His features are pinched and oddly awry,
and he makes distant grunting noises like intelligent baby babble. He’s
retarded! I look around. Thirty or so feet away stands a thirty-ish woman
with the same chestnut hair as the boy, except hers is down her back and
wind-wafted. She’s beautiful, and she smiles at us as I submit to the
child’s gentle, ecstatic exploration.
Copyright © 2007 Mark Jacobs |
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Also
by Mark Jacobs on SoMa Literary Review: Mark Jacobs has lived in and around San Francisco since 1965 as journalist, filmmaker, and teacher. A collection of his writings on the Summer of Love, Haight-Ashbury, and San Francisco in the Sixties is available at http://www.sanfran60s.com. |
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Reproduction of material from SoMa Literary Review pages |