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Meat of the Matter By Doug Mort
1984 Meyers
is twenty-four now – twenty-four and there’s so much more. He believes
he has found his heart of gold – Julie the cruise director on The Love Boat. As he watches her each weekday morning at ten he
dreams of her turning the ship around and steering a straightaway course
for him there on a mattress in his mother’s living room, cranium deep in
six, seven, sometimes eight cans of Rainer Ale, his morning starter kit.
More often than not he cries “Julie! Julie!” as he watches her. But
the last time an elderly neighbor called the police and he was taken away
on outstanding warrants for drunken walking and he’d had to call his
mother and it only reminded him that something had gone horribly wrong.
He’d sworn off Julie for a couple of days, but the absence has only made
his heart grow fonder. Thus this morning he awaits her return. Earlier,
he cashed his daily check from his mother at the neighborhood 7-Eleven. He
must have used the right tone last night and induced the proper amount of
misguided guilt in her, for today he made five dollars, whereas as of late
the mother has been begging for mercy by writing the checks for as little
as a buck. He has extorted the checks by pilfering his mother’s quarter
collection – her life saving more or less – savings that she will
never be able to replace on her meager janitor’s salary at the old
folks’ home. He first found the coffee can under her bed, then in her
clothes hamper after she caught on and tried a new hiding place. After the
hamper she gave up and offered the checks. Leaving
the store this morning he shuffled to the alley, where he puked the first
beer and manhandled the second, the next four congratulating him like
long-lost friends. He and they laughed and sang and talked of their
resolve despite being forsaken by the universe. When he got home he had an
hour to kill before the show so he lay on his back on the mattress and
listened to several sensitive singer songwriters and wondered when he too
would be discovered. Which made him even more resentful when he remembered
that he didn’t play an instrument, remembering that he had tried to
learn once but like everything else on God’s black planet (animate or
inanimate, it didn’t matter) the instrument had forsaken him. Now as he
lies splayed across his piss-stained sickbed he knows that Julie may be
his last remaining hope. Thus the opening theme song starts and Meyers
issues a prayer. Oh Lord, he
beseeches the television screen,
Please don’t let me be misunderstood.
Speaking
of the Lord, today’s episode is nothing short of Revelation. Julie comes
to the aid of a depressed war vet. It is revelatory because Meyers is
suddenly struck with a purpose, a plan that will also win Julie’s heart.
His awakening rides piggyback on something that took place the day before. Occasionally
Meyers walks to his mother’s place of employment, and when the coast
looks clear, he sneaks down the delivery road and squeezes between the
bushes and peers through a window and spies on her. Usually she’s
sitting alone at the long folding table at the center of the utility/break
room, nibbling on her peanut butter and jelly sandwich and looking at her
travel magazines, dreaming about places she will never go. All around her
are heaving and collapsing shelves of cleaning supplies. Soiled sheets are
piled to the right of the room, bedpans to the left. Then there are the
mops and brooms and buckets – they always seem to be laughing at her.
The long table at which his mother sits is usually unencumbered, but
yesterday a small plastic palm tree appeared dead center. Meyers had his
suspicions about the responsible one: a young Mexican man who was walking
toward his mother with two cups of coffee. He was no older than Meyers –
a confidence man masquerading as a surrogate son, no doubt. Neatly dressed
and cleanly shaved, he set one coffee down on the table in front of her
and then took the chair opposite. As Meyers watched, his mother began to
talk. The Mexican listened intently; he reached out his hands. Meyers’
mother took those hands and together they prayed. Meyers
could faintly remember hearing about the usurper. He sends money home to his mother! Every week! But he thought his
mother had only been bluffing. Thus he left the old folks’ home stewing
in spite. So discombobulated that he’d been unable to fashion an
immediate response. But twenty-four hours later now, Julie and The Love Boat have provided a plan. So…So
Divine Revelation via The Love Boat
told Meyers this: he would join the army and fight the ingrates in Of
course he will get wounded. But he will bear his scars valiantly, like any
decorated war hero. And Julie will read about him in People Magazine; and if not there, then from the launch of his
memoir on Phil Donahue; or maybe
Oprah – that new talk show for
sensitive people such as himself – will see the light and sing his
worth; and if not there, then from his memoir’s serial installments in
the National Enquirer. Julie will meet him in So
he rises from the mattress and readies himself for the Congressional Medal
of Honor. Inside the refrigerator he finds a couple of glasses of Spanada
in his mother’s screw-top haven. Afterward, saluting himself in the
bathroom mirror, he wonders why it has taken the world so long to catch
up. *** Outside
it is the middle of February – cold and ice-filled. Meyers hunkers
against the wind without a jacket. Where it went, Lord only knows. All he
vaguely remembers is coming to a week earlier with a blackened eye,
swollen nose and no jacket. He is now convinced that the culprit is a
Mexican or El Salvadoran. Either one will do. He
passes several people on the street waiting for busses, locals who look
like they have been driven from their ancestral homes by the brown-skins.
To them he raises a comforting hand. “I shall return!” he says. “I
shall return!” He
comes upon a throng of Mexicans waiting for work. He raises his hand
again, this time in absolution: “I forgive thee for thee know not what
thee do.” Several laugh but Meyers forgives them a second time. He
has brought along a small amount of writing paper so he can write notes
for his memoir. Halfway to the recruiters now he stops and records his
feverish musings.
six-lane
thoroughfare choked by fast-food franchises convenience stores section 8
apartments new type ploughshare harvest low wage tax base rich cheap food
housing company store Steinbeck feudal landscape blatant extortion
high-priced essentials while cauldrons of CEO’s laugh now healthcare
bills direct result hippie war protestors Sixties betrayal of soldiers My
Lai mockery robbing Earnest One (I am Earnest One) of all purposeful ennui
vacuous Seventies ROBBED high school diploma Harvard Phi Beta Kappa
partner law firm direct result Mexican Imperialism passive war mud snails
multiply Golden State brown as dung rise up Satan only hope Earnest One
saber charge up El Hamburger Hill commies die mother be proud Julie my
love it’s a new morning in America. Meyers
breathes. Even the writing feels divinely inspired – effortless, as if
he were an appointed channel. He reads it back over and is delighted with
himself – so much so that he practices signing his name at the bottom of
the page. For Julie, he writes,
then his name. Twenty-five renditions in all. He opts for the mysterious
scribble, believing it displays his lack of need for public recognition. Humble
and wise, Meyers realizes that it is now getting late. He knows that he
must be moving on – moving on to the meat of the matter. Meat
of the Matter,
he writes. Possible Title?
He
puts the paper into his back pocket, rises and continues on. *** The
recruiter’s office sits between a Laundromat and an Adult Book Store.
For some reason Meyers believes the recruiter is waiting for him – some
kind of interconnected Gospel that they share. Unfortunately, Meyers’
theology is quickly shot to hell. The
recruiter jumps up behind his desk, veins bulging with disgust at the side
of his neck. “Hold It Hold It Hold
It! Do not, I said, do not
put another foot inside that door!” He lowers his meaty paws atop his
desk. He is a bow-legged bulldog with the eyes of a killer on Benzedrine.
His crew cut vibrates with purpose. “Otis
of mother-fucking-ass-backwards-Mayberry. How
can I not help you?” Now
it all returns to Meyers – the order of the universe. On the wall behind
the recruiter’s desk is the presidential portrait. With trepidation
Meyers raises his eyes. mano a mano,
Reagan’s humble smile turns to a contemptuous smirk. mano
a mano, Meyers is disgusted with himself.
He
looks back down at the recruiter. “I—”
“If
you piss on my carpet so help me I will make it so you can never piss
again!” “I—” “I-I-I,”
the recruiter mocks. Meyers
faintly recalls having been here once before – seven years ago, when he
was seventeen. Back then the recruiter had remained slumped in his chair
for the duration, his imperialistic dreams sunk to the bottom of the “I—” “I
Me Mine! In case you haven’t heard, Otis-of-motherfucking-ass-backwards-Mayberry,
Jimmy Carter’s back on the peanut farm with his fellow peanuts and
it’s a new morning in
“But
I thought the army took anyone.” Flames
shoot from the recruiter’s nostrils. He twists himself up. “What the fuck
is your problem?” Meyers
wishes he knew.
“How
old are you?”
Meyers
tries to remember. Unable to recall, he says, “Can I have a jacket?”
“A
jacket?”
“I’m
cold.”
“Cold?”
The
recruiter looks embarrassed for Meyers. Meyers understands. “Cold?”
the recruiter says. “Jesus Christ, son, do I
look cold?” “No.” “And
do you know why I don’t look
cold?” “No.” “Because
I’m not. Do you know why I’m not?” “Because
you’re not?” “Are
you being a fuckin’ wiseass now?” “No.” “If
you are I’d love to help you with that.” Meyers
keeps quiet. “No,
my— Look here, Otis-Fuck. The
reason I ain’t cold is because I pulled up
my god-damn bootstraps!”
Meyers
is speechless now. He doesn’t have boots, only strapless barf-stained
tennis shoes.
“Pull
‘em up, son, pull ‘em up! For God’s sake – Just-Say-NO!” Meyers
looks back up at the presidential portrait. The president, it seems, has
moved on to forgetting other things – chiefly welfare mothers, faggots
and forests. Meyers
remembers everything now. He knows that if he doesn’t leave quickly he
might disappear by proxy. But hadn’t he heard that the president, like
him, was the son of a drunk? Where was the compassion? Where was the
brotherhood?
He
backs out of the door. One more dream, one more bitter ending.
Meyers
shuffles to the old folks’ home. Now they are doing the tango, his
mother and her friend. His better half has pushed the table out of the
center of the room and they are really living it up. His mother laughs and
laughs. She looks like she has blissfully forgotten ever having a son like
Meyers. He
shuffles to the convenience store and spends the last of his mother’s
quarters. He took them before leaving for the recruiter’s office, fully
intending to repay her from the advance on his memoir. He
shuffles to the alley. Now as he imbibes among the garbage bins and greasy
flotsam of fast-food empires, the dogs attack the fence. There is an
abandoned kennel on the other side, and each day the hungry dogs try to
break through and attack him. It is always quite a ruckus, but Meyers
bears it daily as if it were his assigned lot. Sometimes he imagines them
lions in the arena, awaiting his escorted arrival. He
finishes and rises to meet their challenge. He puts his cheek against the
fence and takes the punches like Rocky the Italian Stallion. Hey! That’s
it! He could be a boxer. His
face might get pummeled to a pulp but the whole world would be shouting
his name. Mey-ers!
Mey-ers! Mey-ers!
he hears them call. A tear comes to his eye: he’s never heard anything
so beautiful in his life. He
leans harder into the fence. The dogs’ pound and scrape and growl and
bark. Meyers imagines Julie tending his post-fight wounds. Now he grips
the ropes with bloody martyrdom and looks out over the audience.
“Julie!” he cries. On
and on he goes. A siren screams. Meyers runs like hell.
Copyright © 2008 Doug Mort |
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Also by Doug Mort on SoMa Literary Review:
Shelter,
Enlightenment,
Shouldn’t
You Be Doing Something?
& Black
Eye Doug Mort’s fiction has appeared in the literary print journals Transfer and Mosaic, as well as the online journal Night Train. His novel, The Troubled Life and Times of Rudy Menisini, is an unpublished, unheralded masterpiece of bug-eyed discombobulation at the hands of suburban sorcery and fried bologna sandwiches slathered with Miracle Whip. |
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Reproduction of material from SoMa Literary Review pages |