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New Voices From San Francisco

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Karma

By Steven Hoadley

I went to the Doctor's today. 
He showed me a picture of health, 
and I wasn't in it. 

He said I never would be. 

Something about bad cells 
runnin' down good ones 
and eating 'em up. 

Suddenly, one more time, 
I feel like 
I'm being chased again 
by that dusty old bitch 
who seems to follow you 
from barstool to jukebox 
wantin' to be noticed 
or fucked 
or somethin'. 

You buy the old punchin' bag a drink 
hoping she'll drop face on the bar 
so you can slip off 
to the next joint 
but all it does is 
raise her skirt a few more inches. 

Then you notice she starts swiping 
her mouth with a big fat tube 
of some red, lipstick-lookin' shit 
like she's applyin' motor oil 
to a cylinder that's just 
dyin' for a piston. 

So you start poundin' the bourbons 
thinkin' you'll get rude enough 
or sad enough 
to chase her off 
or take her in the shitter 
and be done with it. 

Instead, Miss Death-on-a-barstool 
starts hackin' and yackin' 
and tellin' you about her fucked-up 
grand kids 
and how they're 
smokin' crack 
and dick 
and whatever else 
the ungrateful 
little fucks 
can wrap their 
skulls around. 

All the while she's spittin' 
that red greasy shit 
she smeared on her face, 
in your face, 
makin' her look 
like a drunken clown 
gone rabid 
and you get scared. 

She reaches around 
and starts tryin' 
to grab your bone 
with that pair of chopsticks 
she calls fingers 
then garbles some words up at you 
from a throat full of snot: 
"Hey big fella, I can suck the calories out of a hot 
dog, how 'bout it?" 

You reel back 'cause you 
thought you heard it all 
but now you really heard it all 
and you figure somebody's 
got to be fuckin' with you 
'cause this hag can't be real 
and you can't be thinkin' 
the sick shit 
you start thinkin' 

So you say "fuck it" 
and you tell 
the winner of the 
Miss Lung Cancer Pageant 
to meet you in the crapper 
for a dickin' 
you hope you'll soon 
forget. 

You stand at the pisser 
tryin' to stroke 
Old Yeller 
back to life 
but the fucker 
don't want no part of it; 
'Let sleepin' dogs lay sleepin' 
he says. 

Right then you catch somethin' 
out of the corner of your eye. 
Some creepy fag 
lurkin' in the dark 
wavin' 
and winkin' 
and flickin' 
his tongue at you 
through a hole 
in the shitter wall 

You say what the hell 
figurin' you can use 
all the helpin' hands 
you can get 
no matter they're attached 
to some cum-lappin' tweak 
with his face 
plastered against 
the piss-soaked partition 
of a barroom shithouse. 

So you whip out Old Yeller again 
and tell him he's got one more 
bush to piss on, 
then you can let him be. 

Zipper down and dick in 
you start feelin' like that 
long, lone strand 
of spaghetti 
that just won't pull loose, 
'cause your reason for living 
ain't comin' to life 
and suck-boy 
on the other side 
ain't takin' no 
for an answer. 

Just then 
Mrs. Reaper 
comes bargin' in 
but she's to drunk 
to notice you 
got your pole 
in a hole 
and she figures 
you're just waitin' around 
for love 

She walks up and latches that 
toilet plunger of a mouth of hers 
onto to your face 
suckin' up half your chin 
and drainin' that nasty 
congestion problem 
you had goin' on. 

Meanwhile 
sodomy-man 
picks up on this 
and it excites him 
or somethin' 
'cause he starts 
tryin' to pull a ball 
or two 
through 
that damn hole 
and it ain't fittin' 
and it's hurtin' 
and you're dyin' 
and suddenly 
everything's 
all 
fucked 
up. 

Finally you can't take no more. 
You yank 
Old Yeller out 
and start workin' 
at wedgin' a finger 
between you, 
Mother Theresa 
and that vacuum-seal 
of death she got you locked in 
tryin' to suck out your soul. 

After breakin' loose 
you sprint your ass 
out of there 
leavin' 
the fag and the freak 
to work it all out, 
bypassin' the bar 
the booze 
and the bitter ending 
you knew was comin'. 

'Shit like that 
drives men to drink' 
you think, 
as you shuffle 
across the street 
to Neil's lounge, 
steal a seat 
back by the cigarette machine 
and wait for 
Art the bartender 
to belly-up. 

Suddenly the door opens 
behind you 
and you glance back 
like everyone does 
to see if it's 
victim or vice 
and there they are, 
the sin twins, 
mouth and madness, 
swallow and spit. 

You lower your head 
hopin' they don't spot you 
but they ain't payin' attention 
'cause they're beelinin' it 
back to Neil's crapper 
to continue whatever it is 
they're continuin' 
and it's that kind of shit 
you're tired of thinkin' about. 

But you can't stop thinkin' 
about it, 
and you're wonderin' how 
fuckers like them 
find fuckers like you 
in a big fuckin' city 
like that, 

but they do. 

Like a 
fucking 

cancer. 

They do. 

Copyright © 2003 Steven Hoadley

Also by Steven Hoadley on SoMa Literary Review:
 

The Life and Daily Death of Sam Mackie

Episode One: Thoroughly Bad James

Episode Two: Even Jesus Farted
Episode Three: A Love Story

Episode Four: Dave's Dementia

Episode Five: The Last Straw

Bedtime, Barbra Streisand can Shove Her Memories up Her Ass
A Midnight Poem That Had to be Written Before Sleep Could Be Had, One Year
Sunday Morning Coffee, The Rejection, A Reason to Move, The San Ramon War Protest, 86'd Again, Youth, Denny's, Karma, Suffering of an Idiot & Poem for all Western Civilization

WORD

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