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Away

By Caroline Lackey

 

The front desk was closing so I hurried on up – way up, farther than it looked on the map – to check in.  My undershirt was shellacked to me and my breathing rasped as I bragged to the ownerclerk of the boutique SRO that I had run from nearly Market & Hyde.

In the room, I lay on the bed, feet on the floor arms flung out, thinking I should wait, wait.  I thought about the walk through the Tenderloin and the hills, too, the hiding from you.

Across your shoulder, around the long-healed collar bone, I crouched there in the fine hairs of your neck.  Aching and shifting, sometimes losing focus, there I wept until almost dark when I knew you'd be gone from me, poof.  That's when, right when I got up, slid the keycard into the lock to make sure I could get back in, and I advanced, or retreated, down the hill to your office, where my clothes, my “things" were locked, discreetly bagged for me to creep in and collect.

San Francisco at twilight is electrifying like a movie set might be to a kid, or an adult from South Carolina .  It’s gripping and intense, but mainly safe.  The night felt removed, or maybe overdone in parts such that I was removed.  The walk up Hyde had been elegant, just hours earlier.  The trees mingled with railroad apartments which for themselves ended abruptly only to open at the sidewalk, cleavage at the blouse, my shadow on your door.  How unlike walking the same road in the opposite direction.  The sky is the backdrop going up into Nob Hill, but heading down, Market street with its streetcars and beggars is the setting and soon the trees were behind me, I couldn't remember them at all.   And all I saw were the homeless, the mentally ill that Reagan turned out and we continue to turn out.  Captured in the revolving door of self-loathing I say, "sorry," and still look down when they ask.

There were drug deals and whores but it was the intact body of a dead bird with no head that woke the baby.  Losing you, losing even me, not even against the odds anymore, I swatted angrily with one arm at the many questions as I shed myself, tapped lightly my sternum, and sang under my breath.  Or, more precisely, stopped at the crosswalk I did the talking-in-your-head equivalent to this.

Then, when the journey fell quiet of N self-examination, S paranoia, E enlightenment, W depression, I stepped INTO that intersection, arms wide.  But no buses came.  There would be no shaking it off, for this night would be the memory standing in summation for why I chose whatever I choose.

As I got closer to your office, I was amazed to find how unfamiliar it was.  How alien the change in light and the subtraction of the usual characters and the pink Cadillac out front replaced by a much smaller rust (colored) car with no windows and a family miraculously asleep inside.  People lingered in front, your co-workers, saying good-bye so I slipped around the block and inadvertently passed Herman.

"What are you doing in the Tenderloin at this hour?" he boomed.

"I'm lost," I said couching sincerity in uncomfortable irony, the springs wearing through the thin cushion.

"Obviously," he answered with a broad smile.  We passed without stopping.

Now, for the third time, I cut a path between the TL and the hotel where I was either to begin putting a life together or mending what we once had, assuming I was able, assuming you even wanted that, or reviewing at long last the third option, primarily a mathematical dilemma = finite energy x variable time = worth it?

In the room, I rearranged.  Many times with the lamp but the extension cord got in on some of the action.

All in all this first night away was a sweaty affair and I hate to focus heavily on such logistics but really it was quite a lot of work and my skimping on the dinner -getting only a sandwich- in order to get back to the room sooner was just a foolishness I could only realize after, as I lay hungry the rest of the night.

I turned down the bed.  I observed TV, the ritual if not the full transfiguration.  And, often, too often, I checked for messages from you.

As the half hours split and timbered, I estimated your movements.  They were unconcerned, domestic movements, gentle, warm.

What I came to – caught, as it were, in or given to this moment of clarity, of tenderness – was that I would wait, to presently try to improve myself, to sharpen my love and sand my tongue.  To do less would be lazy.  And the other two options aren’t going anywhere. 

 

Copyright © 2005 Caroline Lackey

Also by Caroline Lackey on SoMa Literary Review: 8th & Folsom

 
Caroline Lackey has lived in the Bay Area for 4 years, writing fiction, memoir and poetry.

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